But if you remember who he was when we first saw him and he played some guys who were in that grey area. He was rescuing the Princess for the cash and when he comes back at the end it's a surprise because you think he's selfish.ДЄnd then, over his career, he becomes the President, Jack Ryan, the guy in Witness and he's softened. People forget that because we're so familiar with him now in heroic roles but in the beginning of his career he was more of a rogue - maybe a loveable rogue who ended up doing the right thing, but a rogue. When we were casting we kept saying 'this guy has lived a full life and yet doesn't know his own past' and so you have to see that in his face.ДЄnd if you remember when we first met Harrison, with roles like Han Solo, he's shooting a bounty hunter under the table before the guy even fires at him.Д®ven in Indiana Jones, there are some scenes where you don't know whether he's a good guy or a bad guy. With his blue eyes, the hat ( or the gunbelt) and the rugged face, he feels like a real man and you believe him totally in a Western setting. Everybody said 'he's so British' and 'he's so James Bond' and you do think of him like that, but he puts that cowboy hat on and boom! He's The Stranger. I just kept thinking of Steve McQueen and that was kind of mind blowing. With Daniel, you evoke a different thing. How much of the baggage they have as larger-than-life charactersВ - granted Craig has far lesser experience in the Bond shoes, but how much of their public perception as James Bond and Indiana JonesВ - did you have in mind when you cast them? Also, what are your favourite performances of each actor? Image: Movie poster of Cowboy And Aliens and (inset)Jon Favreau Photographs: Frazer Harrison/Getty ImagesД¬raig and Ford make for an interesting pair. With this we play the Western totally straight and all of the fun comes from combining these two disparate elements. In trying to make the Western relevant, a lot of times people would sort of joke through it, or comment on the genre. They combined the two genres with enough irony and humour but the humour was not based on the characters winking at the audience. Well, I'd heard the title when the writers did their first draft, and I thought 'there's a really cool version of this film to be made if you get it right.' And I read the writers' first draft of the script and they got it right, they got the balance. As a filmmaker, is that potentially campy title liberating and fun or do you think it restricts the appeal of the movie? Excerpts:ДЇrankly, how much does a title like Cowboys & Aliens help? Like, say, Snakes On A Plane, it leaves no room for ambiguity, and ends up promising something for two very different 'species' of genre-fans. United against a common enemy, they will prepare for an epic showdown for survival.Most of our readers may know Jon Favreau because of his role as Monica's zillionaire boyfriend Pete on hit sitcom Friends, but acting is a hat the director only wears occasionally nowadays.ДЄfter writing and starring in indie films like Swingers, Favreau directed Elf, brought Tony Stark to life in Iron Man and Iron Man 2, and is now swinging for the fences with Cowboys & Aliens, hitting the screens today.ДЇavreau had a brief conversation over e-mail with Raja Sen, a conversation that led to a quick look at Harrison's Ford on-screen persona over the years, the reason C&A isn't in 3D, and why James Bond looks good in a cowboy hat. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation. As this gunslinger slowly starts to remember who he is and where he's been, he realizes he holds a secret that could give the town a fighting chance against the alien force. Now, the stranger they rejected is their only hope for salvation. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford).

The only hint to his history is a mysterious shackle that encircles one wrist. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution.

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